Up-and-coming British composer Tom Green’s first chamber opera The World’s Wife – based on Poet Laureate Carol Ann Duffy’s 1999 collection of poems of the same title – will receive its world première at Welsh National Opera’s Millennium Centre on Sunday 15 October 2017.
The first performance will be followed by a six-date Welsh tour stopping in Brecon, Swansea, Holyhead, Aberystwyth, Caernarfon, and Milford Haven. Scored for soprano, string quartet, and loop pedals, The World’s Wife is a musical adaptation of Duffy’s poems presenting actions and stories of famous men of history and myth from their spouses’ perspectives. The feminist approach to the literary collection is further strengthened in Green’s work, as his score includes musical quotes of music by female composers – better known or forgotten – ranging from Clara Schumann to Barbara Strozzi.
The musical staging of The World’s Wife thus features a double revenge from the female point of view: not only do women re-tell world-renowned stories in their own words, but often overlooked musical works by women are here celebrated and become the perfect commentary to accompany the presented tales.
Besides the traditional classical repertoire, Green’s mixed musical background encompasses jazz, pop, rock and choral music. As a trained composer, his attempts to broaden the language of classical music include the frequent use of unconventional tools and instruments such as digital effects.
In The World’s Wife, Green’s choice to feature loop pedals as part of the score enables a solo soprano – a singular archetype – to sing multiple characters at the same time. Female voices can duet with one another as their perspectives are digitally brought together on stage while elements of a universal nature are sung by a looped choir, summing up contributions by all the featured women of history and myth.
Bringing to life the many women of The World’s Wife is Australian-born, London-based soprano and actress Amanda Forbes, whose career highlights include the creation of the roles of Leni and Fräulein Bürstner in the World Premiere of Philip Glass’s opera The Trial based on Franz Kafka’s novel. She is accompanied by Cardiff based Mavron String Quartet, an ensemble frequently involved in the premieres and performances of contemporary music by composers such as Peter Reynolds, Rihan Samuel, and Ian Stephens. The staging is directed by Ed Madden, critically acclaimed recently for his rendition of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons at Edinburgh Fringe.
The World’s Wife is a production by Welsh National Opera, Taliesin Arts Centre, Echo Forest, and The Mavron Quartet with support by PRS for Music Foundation, Arts Council Wales, and the Hinrichsen Foundation.