Winning composers take inspiration from AI, science fiction and history, and make music accessible to disabled performers
Sir Harrison Birtwistle is most awarded composer in BCA history
Sally Beamish and Trevor Wishart honoured with awards for Inspiration and Innovation
New composers shine as 70 per cent are first-time winners
London. 4 December 2018. A jazz composition inspired by science fiction, a brass band piece exploring artificial intelligence, a sonic art installation in a forgotten burial ground, and two works using digital technologies to enable disabled musicians to take part in live performance are among the winners of the British Composer Awards 2018, announced at a ceremony at the British Museum in London tonight.
The UK’s fourteen foremost composers were revealed at the glittering ceremony, hosted by BBC Radio 3 presenters Andrew McGregor and Sara Mohr-Pietsch. In addition to the twelve category winners, two composers were presented with Gift of BASCA Awards in recognition of their contribution to new music.
Celebrating the art of composition and showcasing the creative talent of contemporary composers and sound artists, the British Composer Awards are presented by BASCA and sponsored by PRS for Music. The event is in association with BBC Radio 3 providing exclusive broadcast coverage. The winning works represent the best contemporary composition that premiered in the UK in the year leading up to 31 March 2018.
Crispin Hunt, Chair at BASCA, said: “The passion, creativity and dedication to music demonstrated by this year’s winners is deeply inspiring and humbling. A record year for submissions, the new music landscape in Britain proves itself time and again to be more vibrant, dynamic and vivacious than ever, engaging with a diverse range of ideas and audiences. This is a hugely exciting time to be a creator or appreciator of new music.”
Nigel Elderton, PRS Chairman, said: “Congratulations from all of us at PRS for Music to the well-deserved winners from this year’s British Composer Awards, and thank you for the fantastic music you create which continues to enrich our lives.”
Oliver Searle won in the Amateur or Young Performer category for Microscopic Dances, which uses digital technologies to provide the opportunity for disabled and non-disabled young musicians to play together in an integrated ensemble. The judges said: “There is nothing microscopic about the ambition and impact of this courageous work”. In addition, Liam Taylor-West won his first British Composer Award in the Community or Educational Project category for The Umbrella, a composition for disabled and non-disabled young musicians, using a unique combination of electronic and acoustic instruments.
Sir Harrison Birtwistle won his record-breaking eighth British Composer Award in the Orchestral category for Deep Time, which examines concepts of time. Meanwhile, Rebecca Saunders won her fourth British Composer Award in the Small Chamber category for Unbreathed, which uses sonic manipulation of string techniques and musical form, with poetic inscriptions on the score.
Simon Dobson won his third British Composer Award in the Wind Band or Brass Band category for The Turing Test, which explores Alan Turing’s theories around Artificial Intelligence. And Judith Weir won her second British Composer Award in the Choral category for In The Land Of Uz, a dramatization of the biblical Book of Job.
With a new jazz category introduced in 2018, two jazz composers were honoured this year: first-time winner, Cassie Kinoshi won in the Jazz Composition for Large Ensemble category for Afronaut, a piece inspired by African-American author Samuel R. Delaney’s science-fiction; and Simon Lasky won in the Jazz Composition for Small Ensemble category for Close to Ecstasy, which combines improvisation and detailed scoring to inspire a sense of rapture in the listener.
Blurring the boundary between art and music, The Harmonic Canon by first-time winner Dominic Murcott – part-musical instrument, part public work of art – won in the Solo or Duo category. The work was specially composed for a computer-designed half-ton double bell, created by bell maker Marcus Vergette.
Bringing history to life through music, first-time winner, Emily Peasgood won with Halfway to Heaven in the Sonic Art category, an interactive sound installation created to celebrate the rediscovery of a lost and forgotten Baptist Burial Ground in Folkestone. The work “brings local history to life”, the judges said. Meanwhile, first-time winner, Oliver Coates won a British Composer Award in the Stage Work category with Shorelines, a full-length music-theatre composition for strings and pre-recorded sound inspired by the North Sea Flood of 1953. James Weeks was inspired by the Early Modern period in his winning Chamber Ensemble work Libro di Fiammelle e Ombre, exploring the idea that in order to look forward we must first look back.
GIFT OF BASCA AWARDS
The British Composer Awards also presented two composers with Gift of BASCA Awards in recognition of their contributions to new music throughout their careers to date: Gift of BASCA recipients: Sally Beamish; Trevor Wishart
Sally Beamish was presented with the British Composer Award for Inspiration (presented in association with the Music Publishers Association) in recognition of her long and distinguished career as a composer, violist and pianist. The multi-award-winning composer has composed a huge volume of music throughout her career, including for orchestra, chamber, film, theatre, ballet, and compositions for amateurs. Sally Beamish is currently composer-in-residence at the Academy of St Martin-in-the-Fields, and co-directs the St. Magnus Composers' Course in Orkney, where her wisdom and experience as a mentor has supported dozens of composers.
Trevor Wishart was presented with a British Composer Award for Innovation in recognition of his commitment to innovation throughout his musical career. With a particular focus on translating the human voice and natural sounds into music through the use of technology, Wishart is a pioneer of sonic art and the winner of numerous international awards. Having written extensively on the topic of sonic art and computer music he has created a number of original software tools for musical composition and is a founder member of the Composer’s Desktop Project.