Isata Kanneh-Mason presents a portrait of the life and music of Clara Schumann Debut album ‘Romance’ released on Decca Classics on 5 July
For the 200th anniversary of Clara Schumann’s birth, Isata Kanneh-Mason takes us on a journey through the composer’s extraordinary life with her stunning debut album on Decca Classics. Isata will be joining forces with an all-female line-up to champion the significance of women musicians throughout the years, and their influence on the classical musical canon. The recording features Clara Schumann’s Piano Concerto in A minor, written at the age of fourteen, performed by the composer at Leipzig Gewandhaus two years later under the baton of Felix Mendelssohn.
On signing to the label, Isata said: “Creating my debut record has been such an exciting journey for me, and I have learned so much along the way! It has been fantastic to work with the team at Decca Classics and to share the music of Clara Schumann in such a significant year – the 200th anniversary of her birth.”
Dr. Alexander Buhr, Managing Director of Decca Classics, said: “Isata is an immensely talented pianist with remarkable musicality and a curious mind, always ready to explore new musical horizons. We are very happy to welcome her to the Decca Classics family with this project celebrating one of the greatest women in music history.”
Having four younger sisters, Isata is delighted to represent the work of a strong female voice in classical music: “What struck me most about Clara Schumann is her incredible strength. Not only did she manage to sustain a long and demanding concert career (almost unheard of for a woman during her time!), she also raised a large family and dealt with inconceivable tragedies. I also come from a big family, and I am lucky to have been surrounded by many strong and inspiring women throughout my life.”
Isata is currently completing her postgraduate studies with Carole Presland at the Royal Academy of Music and was recently signed to Enticott Music Management for worldwide general management, joining an esteemed roster of international artists.
She competed in the final of the piano category at the 2014 BBC Young Musician competition, and performed with Sir Elton John in Los Angeles in 2013, having completed her undergraduate studies as an Elton John scholar at the Academy. Together with her brothers Sheku and Braimah, she performs internationally as the Kanneh-Mason Trio, and enjoys a successful and increasingly busy concert career as a solo artist, with concerto appearances, recitals and chamber concerts throughout the UK and abroad.
Highlights this season include appearances at the Lucerne Festival, the Zurich Tonhalle, Wigmore Hall, Amsterdam Concertgebouw, Saint-Denis Festival in Paris, and an extensive US tour, including a debut recital at New York’s Carnegie Hall. Isata has also performed in the Portland Piano Series in Oregon, the Barbican Centre’s Sound Unbound Series, The Color of Music Festival in South Carolina, in Amsterdam, the Caribbean, the Cayman Islands, and Canada.
Clara Schumann is considered one of the most distinguished composers and pianists of the Romantic era, and her works were extremely popular among her contemporaries. She made her performance debut aged nine and was one of the first pianists to perform from memory – a standard practice for professional pianists now.
Clara Schumann’s Piano Concerto was recorded with the Royal Liverpool Philharmonic Orchestra, conducted by Holly Mathieson. The Three Romances for Violin & Piano were recorded with violinist and BBC New Generation Artist Elena Urioste. The recording also features music from various phases of Clara’s life, from the youthful Piano Concerto to the mature magnificence of her Piano Sonata, the achingly beautiful Violin Romances and rarely-recorded transcriptions of songs by Robert Schumann.
The album, released on Decca Classics on 5 July 2019 and available to pre-order physically from 27 April and digitally from 17 May, paints a vibrant and intimate portrait of Clara’s life through her compositions.
“A woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?” Clara Schumann