January 2017 CD Reviews

February 2017 CD Reviews
Haydn String Quartets – Opuses 54 & 55 – The London Haydn Quartet [Hyperion]
January, 2017 |  All the requirements of ‘period’ performance are here: The London Haydn Quartet uses gut-strung instruments and plays at lower pitch as used in the late-eighteenth century. There is a keen sense of structure, for example: observation of all repeats including both sections of sonata movements and the use of long grace-notes rather than short ones (appoggiaturas rather than acciaccaturas). This is backed up by the use of Longman & Broderip’s scores of 1789. There is much expressiveness in these interpretations... ... Opus 55/2 is probably the most-performed of this set – maybe because of the legend that Haydn, when shaving, complained of the bluntness of his razor saying: "I would give my best quartet for a good razor" and he was working on this composition at the time. 
NHK Symphony Orchestra/Paavo Järvi – Richard Strauss Volume 1 – Don Juan & Ein Heldenleben [RCA Red Seal]
January, 2017 |  The booklet includes an article by Paavo Järvi regarding this his first recording with the NHK Symphony Orchestra, the beginning of a Richard Strauss project with an orchestra particularly attuned to the German repertoire, he feels, thanks to time-honoured associations with Wolfgang Sawallisch, Horst Stein and Otmar Suitner. ... Don Juan is a good place to start... ...in the Kempe, Reiner and Szell moulds... ... Järvi is equally wholesome with Ein Heldenleben. 
Andrew Davis conducts Handel’s Messiah [Chandos]
January, 2017 |  Handel’s Messiah isn’t just for Christmas (or Lent) but is a masterpiece that has endured across the generations since its 1742 premiere and survived intact the various performing traditions and arrangements to which it has been subjected. Sir Andrew Davis’s “New Concert Edition” of the oratorio sidesteps the ‘authentic’ practice of recent decades and reclaims the work for a ‘modern’ symphony orchestra and chorus in such a way as to revive, to some extent, the traditions of the 19th-century and earlier half of the 20th in filling out and extending Handel’s scoring. 
Piano Music of Jack Gallagher played by Frank Huang [Centaur]
January, 2017 |  Having been impressed with Jack Gallagher’s Second Symphony, I can now report that his piano music is just as good. Gallagher (born Brooklyn in 1947) has the knack of communicating without making it obvious, drawing the listener into a lively and warm discourse, and vivid characterisations. ... The disc opens with the Piano Sonata (1973/2005), a three-movement work reminiscent of Hindemith (which is just fine with me), succinct, affirmative and very expressive music... ... Six Pieces for Kelly (1989) refers to the composer’s daughter, then aged eight; each one is evocative and includes a ‘Lullaby’, a ‘Folksong’ and a rollicking ‘Balkan Dance’. 
Kenneth Hesketh piano music, including Horae (pro clara), played by Clare Hammond [BIS]
January, 2017 |  It’s a real pleasure to listen to Kenneth Hesketh’s piano music, played with such dedication by Clare Hammond, and superbly recorded, too. ... The big work here, albeit in twelve movements, is Horae (pro clara), completed in 2012 for Hammond, and with each section given alluring/intriguing Italian markings followed by in-English descriptions, such as “as fleet as the tiniest humming bird”... ... I shall also revisit with equal keenness both Notte Oscura and the Japanese Miniatures (all from 2002). The former is a transcription of an interlude from Hesketh’s Gogol-inspired opera, The Overcoat, chilly yet darkly beautiful... 
Ernst Krenek’s Reisebuch aus den österreichischen Alpen, and songs by Zemlinsky – Florian Boesch & Roger Vignoles [Hyperion]
January, 2017 |  Although Ernst Krenek (1900-1991) embraced many musical styles and factions over the course of his lifetime, including jazz, his song-cycle Reisebuch aus den österreichischen Alpen is a relatively early work (1929) expressed in a generally neo-Romantic musical language. ... Florian Boesch captures with a dry humour the satirical bent of a number of the Songs, particularly so in the quiet, almost deadpan delivery of some of them, such as in satirising the utilitarian interests of the tourist hordes who flock to the Alps in search of transient gratification... ... Roger Vignoles’s playing is marked by a more playful and lyrical impetus... 
Kirill Gerstein plays Liszt’s Transcendental Studies [Myrios Classics]
January, 2017 |  2016 was a strong 'Russian' year for Liszt’s Transcendental Studies, with releases from Dinara Klinton and Daniil Trifonov. ... Liszt's final 1851 revision unfolds a tale of selection and metamorphosis, retention, rejection and recasting, tracing the legend of the double-escapement concert-grand from straight-strung wood frame to cross-strung iron waiting for 1853 and the Bechstein-Blüthner-Steinway power revolution... ... In the booklet note (an interview with Tom Service) Kirill Gerstein comments on what he sees (reasonably enough) to be the Austrian inheritance of the cycle – back to Haydn and Beethoven via Czerny... ... When he does holds back, the dividends are palpable – ‘Harmonies du soir’ and ‘Paysage’, for example, come off well, notwithstanding the unremitting fullness of their voicing. ‘Feux follets’ is crisply machined... 
Pavel Kolesnikov plays Chopin’s Mazurkas [Hyperion]
January, 2017 |  Pavel Kolesnikov, a former BBC Radio 3 New Generation Artist whose teachers have ranged from the old Ginsburg/Soviet guard (Dorensky) to the elegantly Western European (Norma Fisher at the Royal College of Music, Pires in Brussels), is one of a crop of gifted young Russians currently based in London. 
Schumann Lieder – Frauenliebe und -leben & Dichterliebe – Alice Coote & Christian Blackshaw [Wigmore Hall Live]
January, 2017 |  Alice Coote’s voice has a rich flavour nowadays... ... To compare Coote’s latest recorded account of Frauenliebe und -leben with the 2003 version on her debut disc for EMI is to understand how daring an artist she has become. ... If Coote is the psyche then Christian Blackshaw is the beating heart of the partnership. ... Although Dichterliebe tells a male tale, it is no more a man’s cycle than, say, Schubert’s Winterreise, which Coote has also recorded. She and Blackshaw chart a bleak trajectory through Heinrich Heine’s plunge into the poet-narrator’s emotional depths. 
Martyn Brabbins conducts Elgar – In the South & Enigma Variations, and other pieces [BBC Scottish Symphony Orchestra; Hyperion]
January, 2017 |  This outstanding Elgar release opens with a bracing account of In the South, Martyn Brabbins securing sweep and incisiveness... ... Brabbins’s spacious conducting of Enigma Variations is altogether special... ... ...‘Nimrod’ is deeply contemplative – the German word Innigkeit (“poignant intimacy of feeling”) seems apt, for the music sends shivers down the spine... ,,, What follows is intriguing, three pieces for narrator and orchestra written by Elgar during World War One, beginning with Carillon, incorporating a text by the Belgian writer Émile Cammaerts... 
Lucas Debargue live at Salle Cortot – Scarlatti, Chopin, Liszt, Ravel, Grieg, Schubert [Sony Classical]
January, 2017 |  Lucas Debargue (born 1990 in Paris) wowed critics and audience during the International Tchaikovsky Competition that was held in Moscow in 2015; the Jury was perhaps less impressed, awarding Debargue Fourth Prize. ... The opening of the Chopin is beautifully tender, the succeeding lines poetic, given with an attractive extemporisation, and Debargue goes on to increment impressively the music’s power and passion, and his clinical fingers come into their own in the coruscating coda. Following which Liszt’s Mephisto Waltz is curiously sedate initially and over-analysed... ... The big piece is Gaspard de la nuit. Its wonderfully played... 
Angela Hewitt plays Johann Sebastian Bach’s Goldberg Variations, 2015 [Hyperion]
January, 2017 |  This is Angela Hewitt’s second recording (the first was in 1999, and both on Hyperion) of a work that she has lived with for years, Bach’s Goldberg Variations, “Aria mit verschiedenen Veränderungen” ... Her piano is a beautiful Fazioli instrument, which responds well to her brand of attack, colour and characterisation. ... Sixty years have passed since the famous Glenn Gould recording became a crucial spiritual soundtrack for many Bach lovers... 
The Royal Opera – Cavalleria rusticana & Pagliacci (Cav & Pag) – Aleksandrs Antonenko, Eva-Maria Westbroek, Dimitri Platanias, Carmen Giannattasio; directed by Damiano Michieletto; conducted by Antonio Pappano [Opus Arte DVD]
January, 2017 |  This Opus Arte DVD of opera’s most-durable double-bill of ‘Cav and Pag’ is of well-received productions that are especially cohesive... ... Aleksandrs Antonenko is dramatically better suited to the jealous Canio than to the reckless and feckless Turiddu, but his singing has a thrilling ring and security throughout. Even better is Dimitri Platanias. ... Of the two leading ladies Carmen Giannattasio takes the honours as a put-upon, unhappy Nedda... ... Antonio Pappano, as ever singer-friendly and theatrically alert, provides sure-footed tempos and relishes the verismo idiom perfectly... 
Donizetti’s Poliuto at Glyndebourne – Michael Fabiano, Ana Maria Martinez, Igor Golovatenko; directed by Mariame Clément; conducted by Enrique Mazzola [Opus Arte DVD]
January, 2017 |  Glyndebourne Festival’s production of Donizetti’s Poliuto in Mariame Clément’s staging comes over rather better on DVD than it did in the theatre... ... The title role is sung by Michael Fabiano – a superb vocalist. ... Paolina is beautifully sung and affectingly portrayed by Ana Maria Martinez in a grandiose fashion and with an outstanding voice... ... The London Philharmonic and Glyndebourne Chorus make important contributions and Enrique Mazzola skilfully keeps the music flowing... 

 

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